《房間》是一名「精神病患」回溯其十二年服藥生活的「自我診斷」。作者時而冷靜，時而鼓譟，述說由服藥引致的種種身體變異與情感隔絕，讓一場寧靜災變的遺禍浮出地表，為現代精神科「治療」的無效與不人道，立下存照。《房間》同時是一名「精神病患」的生活筆記。作者從個人卑微的視角出發，觀看、感應他人之所願、他人之所待。它既非告解，亦非日記，唯指向城市住民勞累的生活中無以言表的內心經驗，是由壓抑的零點切入游離不確、「始於失序、願意迎向失序」的書寫。本書獲「香港書獎2008」及第十屆「香港中文文學雙年獎」散文組首獎。
我幾乎能夠把自己掏空了。面容與軀殼沒有了支撐的內容。即使有，也只有是濃稠的甚麼給軀殼包裹著，隨時從肛門、尿道或一樣臟臭的口裡，流淌出來。那麼我於此處的存在，瀕即瓦解、消散。
还没人写过点评，快来抢沙发吧
李智良，潮粵移民之後，出生於電視宣傳片中那個香港，此後長期滯留。著有《房間》(http://book.douban.com/subject/3105410/)。部份散文／小說作品收入《走著瞧：香港新銳作者六人合集》(http://book.douban.com/subject/4903325/)網誌「處決1938！」，見http://oblivion1938.com評論、創作散見各種報刋，不贅。LEE Chi-leung was born & bred in colonial Hong Kong, as of school text books. He has a quick & angry bearings for some, while he considers himself meek.Porcelain (Exist Random, 1999), a compilation of poetry & short stories written in Chinese and English, remains the only book Lee published until 2008.His 2008 title, A Room Without Myself, an unapologetic retro/introspection of the author’s personal history of maniac depression and colonial upbringing, had been awarded “Hong Kong Book Prize 2008″ and the 10th “Hong Kong Biennial Awards for Chinese Literature” (Essay divison)Presently Lee contributes for newspapers & “stuffs” from time to time, and is engaged in all sorts of translation & writing for money and for better causes. He takes his photography and un-sponsored research on anti-psychiatry as mere pass-time.
