Burton on Burton
Burton on Burton内容简介
A revised edition of the only book to explore the unique brilliance of director Tim Burton's work, including a new chapter on the making of Sleepy Hollow.Still only in his thirties, Tim Burton has established himself in the past fifteen years as one of the great visionaries of film. With the Batman films, Beetlejuice, Edward Scissorhands, The Nightmare Before Christmas, Ed Wood, and, most recently, Sleepy Hollow, he has continually broken new ground both visually and thematically, exploring the dark anguish--as well as the dark humor--that animates many of his characters while also creating a densely textured, sometimes bizarre look specific to each film. In Burton on Burton, Burton talks to Mark Salisbury about his training as an animator at Disney, the importance of design in his films, and the recurring themes present in his work. In this revised edition, he also discusses the influence of 1950s sci-fi and 1970s disaster films on Mars Attacks! as well as how he conceived his highly stylized approach t
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迪士尼奇怪的地方在于他们既想你成为一个艺术家,同时又要求你做一个没有自己个性的僵尸流水线工人,就像有个小人在你脑子里指挥着两边同时做事。
他是一个艺术家,一个天才,一个怪咖,一个疯狂的、杰出的、勇敢的、超级有趣的、离经叛道的也是最忠诚的朋友。 我从来没见过谁能这么明显地和这个世界格格不入,同时又和谐融洽。这就是他。(1994) 关于他我还能多说些什么呢?他是哥们儿,是朋友,是我教子的父亲。他又独特又勇敢的灵魂,是我走遍天涯海角也要追随的一个人,而且我深深确信,为我,他同样也会这么做。(2005)
我从未自觉地想过要去拍电影,那是我去迪士尼公司几年之后才有幸意识到的事。可能我不去想是出于自我保护,因为我不喜欢去发表宣言,比较喜欢以意识流的方式想事情。
“去他的,我才不管我能不能画画,我就是喜欢画。”
我画的看起来像是被车碾过的死狐狸。
你投入了那么多,做出的东西肯定会是你强烈认同的,《文森特》当然敏锐地传达出了我所感受到的东西。
这就是我一直以来对表现主义运动的感觉:就像进入某人的脑海,内在装填被外在形式表现。
而在查理身上找到的特质,我觉得是重现了我在学校里的感觉,你觉得自己就是做为别人的背景而存在的,当别人回忆校园生活时都想不起你来。但他并没有受此影响,在他身上的开朗和简单是我自己身上也有的。所以查历史我身上的积极面,而威利则更复杂,也可能是与我自己更贴近的那一面……
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